Commercial Design

CASINOROO.UK LOGO AND WORDPRESS BUILD

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phone casino

ANOTHER NEW WEBSITE

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http://www.casinomarimba.com

BOOMING GAMES BANNER

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SUPER YACHT COACH BRANDING

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super yacht coach laptop

http://www.superyachtcoach.com branding

QUICK ICON DESIGN FOR JOBFINDER.MT

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logos icon

See it live on www.jobfinder.mt

TOTAL RELAXATION ENVIRONMENT SPA BRAND DEVELOPMENT

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Brand guide lines document – total relaxation environment spa
phone

insta highlights

FANLEAGUE COMEBACK INSTA ADS

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ICON DESIGN LOGO FOR CATFOOD BRAND RESEARCH ETC.

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packaging design: created these vector logos and icons for flavours

DESIGN CLUSTER HOARDING SUBMISSION – FACADE IMAGERY

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KAMBO KOMBUCHA LOGO AND LABELS + PAINTING DESIGN

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icon vector logo
Icon

MOTION GRAPHIC VIDEO INSTALLATION WAS EXHIBITED IN THE FIRST EDITION OF MALTA DESIGN WEEK

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As part of a large scale exhibition in was invited to showcase visual projections inside for st Elmo as part of the 2014 MDW

City Visual !The built environment is always changing, growing and shrinking. Disappearing blocks regenerate, in a cycle, much like this minute long projection as it plays in a loop accompanied by sound. When will the city be completed? Like the sea the concrete does not reach a stagnant point of still, as construction and demolition adds and subtracts from the physical hard shape of boundary walls, where blocks become sky and sea becomes land. Italo Calvino in his book Invisible Cities writes “The city is redundant: it repeats itself so that something will stick in the mind…Memory is redundant: it repeats signs so that the city can begin to exist.” A city is not only real in stone and steel but also something created in the imagination, in Film.

Justine Navarro, graduate BA Hons Design Branding & Marketing from UCA UK and MFA in Digital Art from UOM, creates new interactive video art installations and enjoys producing synchronised visuals for music a progression from experience working professionally as photographer and videographer on tours for companies over seas, and attending projection mapping workshops in Berlin with the United VJs.

CRISPY CLEAN CUT OUT IMAGE MANIPULATIONS☠

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Nothing is too daring and too much is never enough

The excesses and recycle of Damien Hirst

BRAND DESIGN ALBUM COVER IMAGE MANIPULATION TO PRINT STAGE

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Out of Malta I designed this album cover designed from the recording artists alien zoo originating from Sydney Australia. its was available to buy online but is currently out of stock and print.

The freest form of graphic design is when designing for music. ✌The cover image for Punk is alive & full booklet and disk. Collage is the style I choose to work with most often! The mix of imagery and process is fast to assemble it reflects the over the bombardment of images that we are subjected to daily.

Did you ever wonder how many images we see daily? often inundated with messages left right and centre …Dozens? Dozens? Hundreds of them? Or perhaps thousands? Actually, our daily exposure to advertisements depends on many factors— from where we live to what job we do and how we prefer to spend our time. A figure fro 2007 had already stated that we are subjected to viewing 5000 ads per day .

VIDEOGRAPHY PROJECT IN MEXICO

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2016 filmed edited a commercial for culinary school in mexico

OTHER SIDE OF BEAUTY SCOUTING ENVIRONMENTAL PHOTOGRAPHY GEM SHOTS SOUTH OF MALTA

trash photography graphic

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I am Justine Navarro Multimedia artist behind Exhibitmalta working mostly in all forms of digital art (MFA digital Art ): I will be using this website to showcase my work until I find a suitable role in employment which is taking ages in Malta so I am open to travel too!

MALTA HAS A WEALTH OF PROPERTY AND I’M NOT TALKING ABOUT HOUSES ONLY

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A nice Blog article from Simon At djar

http://blog.djar.com/top-5-villa-in-malta/?fbclid=IwAR2_isfGMEeONlXz0Edpfc0qXVC56G4j7uGehIgJ24ncDUXJWYMojY10b4w

MALTA IN A CRUNCHY NUTSHELL

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In the early 19th century, Malta, an archipelago in the Mediterranean, became a British Crown Colony and remained so until 21 September 1964, when it became an independent sovereign state. Malta was declared a republic in 1974.

Malta is a member of the United Nations and the Commonwealth of Nations. Malta was admitted to the Council of Europe soon after independence. In the mid-1980s, Malta was transformed into a flourishing economic hub. Malta began to be regarded as an attractive freight transhipment point, financial center and tourist destination by the international community.

The manufacturing industry is also expanding. It was around this time that Malta started to show an interest in joining the European Community. Malta joined the European Union (EU) in May 2004 and the euro (EUR) was adopted on 1 January 2008 a few years later. Malta’s capital is Valletta and Maltese and English are the official languages.

The Maltese financial services industry has grown substantially in recent years( especially after EU membership) and is one of the fastest growing sectors, taking advantage of a number of key attributes offered by Malta, including a highly qualified workforce, excellent service, competence, technical infrastructure and robust legislative and regulatory frameworks, including tax efficiency.

ART

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THE BEAUTY OF MALTA ART EVERYWHERE

Art painted collage Justine Navarro

Although isolated, Malta’s art was rich and varied, beginning with the decoration of its Neolithic temples dedicated to fertility cults. Dalam is the first pottery of its type found in the Mediterranean. Malta’s prehistoric art ranges from animal stone engravings to the elaborate floral altar in the village of hagar-Qim. During this period, however, stylized figurines or complex spiral reliefs (sculptures) have a sophisticated design and are rich in symbols.

When the Phoenicians arrived in Malta, artistic works became very different, with delicate ivory carving and even a calcareous statuette of a man in draped clothes. Jewelry pieces found in tombs dating from around 900 BC include gold beads, rings, bracelets and image- working armlets.

During the Punic period, Maltese art, like the rest of the Mediterranean, was influenced by the Greek tradition, as can be seen in its marble sculpture, pottery of fine craftsmanship and terracotta figurines found in Tas-Sil impossible. The Roman occupation in 216 BC ensured the blossoming of art in the form of wall paintings and mosaics, portraits and sculptures, statues and bas reliefs. There are many examples at the Roman Domus in Rabat, where the floors are decorated with intricate mosaic designs.

From this period survive fine marble statues, including large draped figures, and statues of Roman gods. With the spread of Christianity to Malta, the Punic-Roman tombs in the region of Rabat have been extended to accommodate Christian funeral. The paintings and sculptures in some of these catacombs dating back to the 4th century or later show that the islanders felt closer to eastern or Byzantine Christianity culturally.

This community and its traditions were destroyed by the landing in Malta of Muslims from Tunisia in 869. After being abandoned in the centuries of Arab domination, parts of these catacombs seem to have been used again in later medieval times with some of the better preserved and more defined fresco paintings from the end of the 13th to the beginning of the 16th.

In 1530, as King of Sicily, Charles I of Spain passed over to the Knights Hospitallers of St. John of Jerusalem on the Maltese islands, whose rule lasted until 1798. The arrival of these knights from all over Europe brought greater European influences, especially from Italy and the Flemish, and centuries of support for the arts followed.

The most remarkable of the artists attracted to Malta was Caravaggio, whose St. Jerome and St. John ‘s Beheading remain a magnet for artists. The wall paintings of Mattia Preti also add to the glory of St. John’s Co-Cathedral includes works by Filippo Paladini, Matteo Perez d’Aleccio, Antoine de Favray, Guido Reni, Jusepe de Ribera, Carlo Maratta, and works by Melchior Gafà, Gio. Nicola Buhagiar and Francesco Zerafa of Malta’s own.

A sad period of pillage and dispersal of works followed the 1798 French occupation of Malta and during the early decades of British rule over Malta. Numerous works of art were thus lost forever. The early British period after the expulsion of the French was dominated primarily by foreign painters such as Gianni, Charles de Brockdorff and the family Schranz. However, this changed in the 20th century, when Maltese artists like Antonio Sciortino, Giuseppe Calì, were extremely talented.The enthusiasm of the post – war years and the independence of Malta produced an artistic enthusiasm led by Josef Kalleya, Alfred Chircop, George Preca, Anton Inglot, Emvin Cremona, Frank Portelli, Antoine Camilleri and Esprit Barthet, who succeeded in leading Malta beyond its traditional roots to a more modern artistic form. Malta remains extremely rich in artistic talent to this very day, with artists exploring different fields and several e

Exhibitions & achievements

November 2019 ‘Feminea’ part of collective at the Malta Chamber of commerce.

September 2018 Multiplicity self curated collective art show City lights cinema Valletta.

October 2016 Divergent Thinkers Navigate Exhibition Commissioned and funded to exhibit a series of 6 x A2 resin coated mixed media prints in the month long art show at the Malta Maritime Museum.

July 2015 Malta Street Art Festival
Produced a video art projection onto the bastion walls at Marsamxett waterfront Malta as part of the show on the theme of Knights of Malta.

November 2015 Awarded a certificate of achievement completing the training course ‘Creative VJ’ awarded by Film Oxford

May 2014 Malta Design Week
Full room video installation at the historic fort St Elmo devoted to my video art projection and prints titled “Invisible Cities”.

November 2014 Tabernacle Gallery Notting Hill London
My paintings exhibited in the Uncooked Culture International Art Fair

June 2013 MFA Digital Art Degree Exhibition : University Valletta Campus
Produced a video sculptural installation titled Motivisual, a culmination of 18 months of intensive research in the field of motivation, the synchronisation of image and sound in video

November 2012 Upper galleries St James Cavalier Centre for Creativity Valletta
Exhibited two framed prints in the ‘Traces of Traces’ contemporary collective photography exhibition.

July 2010 New Designers show, Angel London
Selected from BA graduates to exhibit my branding and marketing project in the visual communications area

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